Local History and Genealogy Notes
Posted on January 24, 2013
On January 17, 2013, Petaluma photographer, Scott Hess, posted a wonderful image of the Hunt & Behrens feed mill located on Lakeville Street on Face Book. Scott explains how the steam is used to soften the corn coming by on a conveyor belt. From there it is flattened into flakes for feed. This mill handles several types of grain including corn, wheat, and barley which are mixed to various specifications.
This is a process that was likely in place in 1921 when Marvin Hunt and Carl N. Behrens first established their mill at the foot of C Street in a warehouse they purchased from Achille Kahn.
By the summer of 1922, the mill not only had the advantage to being situated on the Petaluma River, but with the completion of the P&SR West Petaluma Spur and associated trestle (visible in the picture to the left), they had the advantage of being able to ship by rail and river.
Both men recognized the need for better feeding rations and improved feeding programs and dedicated their operation to two primary goals: customer service and efficiency in production to keep costs low. By keeping to these goals, Hunt & Behrens kept pace with the innovative changes that occurred during the ‘20s and ‘30s and it wasn’t long before they saw the need to expand their operation.
Construction of a new plant on Bridge Street (now Lakeville Street) began in 1940 but because of World War II the completion was delayed until 1947. Due to wartime shortage of available steel the new mill was built using wooden beams and today it is the only one of its kind in California.
It was at the Bridge Street plant that the first bulk delivery of mixed feeds was initiated. During the 1950s, both the storage and milling facilities were doubled in size. By the 1970s, a second mill was constructed. The purpose of the second mill was to allow Hunt & Behrens to conduct all its operations under one roof while maintaining the flexibility of operating the poultry feed division separately from the dairy feed division.
The location on Bridge Street afforded the same transportation advantages as the C Street site, but now instead of the river the company depends on trucks and trains to haul their feeds to customers.
After a 10 year hiatus, the NWP resumed freight rail service in July 2011 and as of December 2011 rail delivery was saving Hunt & Behrens $15-$17 a ton over trucking. To read more about the relationship between agriculture and rail see Cooperative Extension of Marin County's blog posted by director David Lewis at http://ucanr.edu/sites/Grown_in_Marin/Grown_In_Marin_News/GIM_News_Fall_2012/Agriculture_rides_the_rails_again/
Today Hunt & Behrens is not only the oldest, continuously operating feed mill in Sonoma County, but for the past 10 years has been a major supplier of organic feed. Hunt & Behrens contributes greatly to the region's economic well being and is a visual landmark.
Posted on January 16, 2013
Petaluma architect Brainerd Jones’s career spanned over 40 years from the time he opened his office on Main Street in what was then called the Tann Building, until his death in 1945. Like his contemporaries, Jones was adept at many different designs and prepared plans for a variety of building types ranging from libraries, schools, banks, churches, fraternal halls, commercial structures, fire stations, post offices, residences and more. Examples of Jones’s work can be found throughout Petaluma, as well as in other parts of Sonoma and Marin Counties, but many may not be familiar with his work at Cypress Hill Memorial Park where the Kerrison family vault is located. Alfred Kerrison (1868-1917), a Penngrove pioneer, specified in his will that his executor was to erect a re-enforced concrete vault, walls of suitable thickness and strength that were to be lined with tiling or marble, and to contain receptacles for at least seven caskets. According to a Petaluma Argusnewspaper article, Brainerd Jones was hired to design the tomb in 1918. The Egyptian style was likely chosen by Kerrison prior to his passing.
E.W. M. Evans was the contractor and stone mason, while Robert Schlunegger did the concrete work. Construction of the tomb required hundreds of pounds of steel were to reinforce the structure so that it would be earthquake proof. The building was to be finished in a rich cream tint, but after being fully “occupied” the whole structure was to be veneered with granite and every opening sealed. The interior of the tomb is described as being finished in heavy panels of rich Alaskan marble while the floor was tile. A stained glass window was installed on the west side of the tomb as was a bronze door which was removed many years ago by descendants of the Kerrison family. Concrete now seals the tomb and it does not appear as if a granite veneer was ever applied. The last person to be entombed in the vault was Alfred Kerrison's sister-in-law, Sarah Risk Kerrison (1867-1951). To learn more about the Kerrison Family please see The Kerrison Family of Vallejo Township by Moria Gardner available at the Sonoma County History & Genealogy Library. The Kerrison tomb is not the only Brainerd Jones design to be found at Cypress Hill. Stay tuned for more on this subject!
Posted on January 12, 2013
Over the past few days a number of newspaper articles have reported on how the Vietnam Veterans Memorial plaque at Petaluma's Walnut Park was stolen. This is sad news indeed. Absent from the coverage is that the plaque was of artistic significance having been created by Rosa Estebanez (1927-1991), an immensely gifted artist who called Petaluma home for 31 of her 64 years.
Estebanez’s life has been described as a remarkable story of courage, tragedy and the triumph of the human spirit. Born in Cuba, Estebanez graduated from the National School of Art in Havana with a master’s degree in art and became the official sculptor for Cuban president Fulgencio Batista. In 1960, Estebanez left Cuba following the communist overthrow of Batista’s government.
Estebanez arrived in the United States unable to speak English with her 10 year-old-son, Jorge, and a $5 bill in her purse. She chose to settle in Petaluma because she had a brother living there.
At first Estebanez worked as a chicken plucker at a local poultry plant before she was able to resume her art career. For a time she was employed part-time as a “re-toucher” at Decker’s Photo Studio. Estebanez also held a position with Kresky’s Sign, communicating with her supervisor through drawings and sign language. Estebanez taught classes privately and at night at Petaluma High School; led tours abroad, and created a prolific body of work, including murals, bas reliefs, sculpture, public statues, and paintings. In 1978 she joined the National Art Board of the American League of Pen Women. Estebanez also hosted a 7-part television series entitled “How to Sculpt with Rosa” on KQED’s Open Studio.
Most Petalumans know Estebanez’s work from the wristwrestling statute at the intersection of East Washington Street and Petaluma Boulevard North, the Helen Putnam Memorial at Putnam Plaza, and the Fred J.Wiseman Monument at Kenilworth Park. Estebanez also created a bust of General Vallejo and painted a portrait of Benecia Vallejo for the Old Adobe State Historic Park. Among Estebanez’s larger works is the mammoth state seal on the State of California building on Van Ness Avenue in San Francisco and a large three dimensional plaque for the gates of the former St. Anthony’s Farm on Valley Ford Road. Additional examples of Estabanez’s work can be found at the Smithsonian American Art Museum online catalog.
According to James Bleifus, creator of the California Vietnam Memorial Project, there are over 90 memorials throughout the state, many designed by prominent regional artists such as Rosa Estebanez, a number of which have been defaced or neglected. This puts the Walnut Park Vietnam Veterans Memorial in a broader context.
Posted on January 03, 2013
Mose Goldman (1881-1952) was a man who did things in a big way, whether it was his private residence or a commercial structure to house his Leader Department Store. In both cases, Goldman looked to San Francisco to find architects who would do him and his adopted city of Petaluma proud.
In 1924, Sylvain Schnaittacher designed Goldman's Mediterranean-inspired home at 1 Brown Court. In 1940 Goldman hired Hertzka and Knowles to design the largest and most modern building in the North Bay devoted entirely to ladies' wear. In later years this firm would gain recognition for its collaboration with Skidmore, Owings and Merrill on the Crown Zellerbach building, a San Francisco landmark.
Goldman may have selected Hertzka and Knowles because of their work, with local architect Cal Caulkins, on Santa Rosa's Rosenberg's Department Store in 1937. Considered by some to exemplify the technology of the future, a model of Rosenberg's was exhibited at the 1939 World's Fair on Treasure Island.
Ground was broken for the Leader Department Store in January of 1941. William D. Rapp, a Santa Rosa builder, who later served on the Santa Rosa City Council, was awarded the construction contract after submitting a bid for $52,160.25 to complete the 19,000 square-foot structure that included a rooftop penthouse. G.M. Simonson was the consulting engineer.
The streamline design of the Leader Department Store mirrors the era in which it was built when efforts were made to draw people out of the dreariness of the Depression and into a promising future. The style was heavily influenced by the shapes of modern transportation that reflected the growth of speed and travel in the 1930s.
The style is founded on the idea that mass production and quality were not mutually exclusive. Rounded corners, flat roofs and unadorned surfaces that incorporated horizontal bands of windows to create a streamline effect were all included in the design of the Leader Department Store.
W.R. Carithers and Sons Inc. of Santa Rosa purchased the Leader Department Store from Goldman in 1946. In 1985, having sat vacant for a year or so, Carithers was sold to Terese and Mark Thomas who owned Couches, Etc., a Petaluma business since 1979.
After weathering 68 years of evolving retail trends, Hertzka and Knowles' original design stands as Petaluma's finest (and one of its last) examples of the streamline style and as such is a contributor to Petaluma's Downtown National Register District - a district significant for its broad spectrum of architectural styles that collectively present a visual history of Petaluma's commercial development.
Today the building is occupied by Sleep City. Plans for its alteration are underway following a City of Petaluma Planning Commission vote on December 11, 2012 (documents and audio/video recordings posted on the City of Petaluma website).
Note: A portion of this article first appeared in the Petaluma Magazine Winter 2009 edition.
Posted on December 29, 2012
Vincent G. Raney, AIA of San Francisco designed Petaluma's United Methodist Church, which is located at the northeast corner of D and Fifth Streets, in 1941.
A quick search using Ancestry.com and other web sites including those associated with the Construction Specifications Institute and Rediscovered Paper brought fourth some interesting information about Vincent G. Raney (1905-2001).
Mr. Raney was born in Martin County, Indiana on October 17, 1905, to Francis and Ruth (Gootee) Raney. It was while working alongside his father, a building contractor, that Vincent learned about construction techniques. Following high school, he attended the University of Indiana, then received a degree in architectural engineering from the University of Illinois in 1929. He also attended the University of Arizona in 1930.
Raney worked for H.G. Atherton in Anderson, Indiana; and for Frederick H. Reimers, Masten & Hurd, and William I. Garren in San Francisco, 1930-36.
In 1937, Raney started his own company, under his name. He specialized in buiding and design of multiplex theaters for Snyfy Enterpries. The Cinema Treasures web site lists 36. Including the Kuhio Theatre in Honolulu.
Another speciality of Raney's were service stations. He designed more than six hundred service stations for the Associated Oil Company of San Francisco.
In 1939, Raney designed a house for the Golden Gate Exposition at Treasure Island. Notable for its high ceilings, floor-to-floor ceiling windows, and access to a garden from almost every room, it was named the Sunshine House. It was sold in a raffle, with tickets costing one dollar. The home was built to encourage home building and buying after the Depression. The winners sold the house immediately for $7,000. It sold for $845,000 in 2004 (San Francisco Chronicle, January 11, 2004, page G1 & G10).
After World War II, Raney got involved in designing affordable tract homes for returning GIs.
We may never know what brought Vincent Raney to Petaluma to design a church, but it is fun to have this background information. I'll never look at the Methodist Church the same way again. Are there other Raney designs to be found in Petaluma?